The first version of Cubase was notable for the introduction of the clever MROS (MIDI Real-time Operating System) protocol, an early spiritual predecessor of the Steinberg/ Propellerhead ReWire system, which allowed the ST to carry out basic multitasking and transfer musical data between programs.ĭespite the success of the Atari version, Steinberg released the first version of Cubase for the Mac operating system in 1990.
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However, before Cubit even hit the shelves its name was rapidly changed to the now-familiar Cubase following legal threats from developers of a similarly named software package. The name change signalled a major overhaul of the product, with a clear timeline interface and a much more advanced feature set. Pro-24's lifespan finally came to an end in 1989 with the announcement of a new Steinberg sequencer, Cubit. Pro-24 was also ported to the Commodore Amiga, although the lack of built-in MIDI support meant that it was never as popular as the hugely successful Atari version.
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With programmer Werner Kracht on board, Steinberg took full advantage of the ST's built-in MIDI capabilities and processing power.Īs the name suggested, the Atari's larger memory and faster processor allowed Pro-24 to offer a further eight tracks of sequencing than its predecessor, but it also crucially allowed much more flexibility in terms of track recording and song arrangement.Įditing options included musical score notation (introduced in version 2.0), quantisation options and a step sequencer-style grid editor for drums. In 1986, Pro-16's successor, Pro-24, saw the company shift its focus to the exciting new Atari 520ST platform. With a clear single page interface and real-time recording, Pro-16 was incredibly powerful for its time. Multitrack Recorder sold fewer than 50 copies, but the concept was soon developed into the more advanced Pro-16, a 16-track MIDI sequencer for C64.
Incidentally, the company name was chosen simply because Rürup was felt to be too difficult for American customers to pronounce.
It’s just not there yet."VST was the first plug-in protocol designed specifically for audio applications." Studio one already has the velocity (new features per year, innovative platform) and the competitive drive to eventually outdo Cubase in every area of DAW software features. If I ever move OFF cubase it will be to something without a dongle or a node locked activation system. There’s no evidence that they make more money, and it could even be costing them sales.Ĭompanies like Arturia, for example have their own cloud based activations system, and neither node lock me to one PC, nor require a dongle purchase from me. Fear mongers inside Steinberg have long ruled the roost. Define “need” for it? THere’s no need for copy protection period. Loss of that motherboard/logic-board results in a need to re-activate, which means Secure Enclave would not be any more useful to end users, than say, existing iLok-node-lock schemes are. If the Secure Enclave can be used for third party copy protection schemes, and not just for whatever the hardware vendor (let’s say DELL) or operating system vendor (let’s say MICROSOFT) want, then the problem with SE in a motherboard is the same as activation to a single PC.
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